Badelon, F. (1999). Entre Satire et Humour, Shaftesbury et Le Théâtre Élisabéthain. Revue de Métaphysique et de Morale 2, 161–72.
Day, A. (2011). Satire and Dissent: Interventions in Contemporary Political Debate. Bloomington, Indiana: Indiana University Press.
Eustis, A. (1973). The Nature of Molière’s Satire. Romance Notes, 15, 5–14.
Finke, L. A. (1984). The Satire of Women Writers in The Female Wits. Restoration: Studies in English Literary Culture, 1660-1700 8(2), 64–71.
Freudenburg, K. (1993). The Walking Muse: Horace on the Theory of Satire. Princeton, N.J.: Princeton University Press.
Gérin, A. (2018). Devastation and Laughter: Satire, Power, and Culture in the Early Soviet State (1920s–1930s). Toronto: University of Toronto Press.
Gray, J., et al. (Eds) (2009). Satire TV: Politics and Comedy in the Post-Network Era. New York: NYU Press.
Halliwell, St. (1984). Aristophanic Satire. The Yearbook of English Studies, 14, 6–20.
Hernández, G. E. (1991). Chicano Satire: A Study in Literary Culture. Austin: University of Texas Press.
Jossa, St. & A. Moroncini (2017). Comedy, Satire, Paradox, and the Plurality of Discourses in ‘Cinquecento’ Italy: Introduction. Renaissance and Reformation / Renaissance et Réforme, 40(1), 5–12.
Kasparek, J. L. (1977). Molière’s Tartuffe and the Traditions of Roman Satire. Chapel Hill, NC: University of North Carolina Press.
Keane, C. C. (2003). Theatre, Spectacle, and the Satirist in Juvenal. Phoenix, 57 (3/4), 257–75.
Leuchtenmüller, Th. (2000). Vom Modernen Theater Der Dissonanz: Satire in Experimentellen Amerikanischen Dramen Der Sechziger Jahre. Amerikastudien / American Studies, 45(2), 175–84.
Mauron, Ch. (1964). Psychocritique du Genre comique. Paris: Librairie José Corti.
Morgan, D. F. (2020). Laughing to Keep from Dying: African American Satire in the Twenty-First Century. Champaign, IL: University of Illinois Press.
Poulios, Α., Iliadis Α., Seiragakis Μ., 2022. Greek theatrical satirical songs as indices of resistance. In Music and Resistance in the 20th-Century (Contreras, I. & Martín-Nieva, H., Eds.) (pp. 259-273). Turnhout: Brepols.
Raymond, R. C. (2024). Satire, Comedy and Tragedy: Sterne’s “Handles" to Tristram Shandy. London - New York - Melbourne - Delhi: Anthem Press.
Sciama, L. D. (Ed.) (2018). Humour, Comedy and Laughter: Obscenities, Paradoxes, Insights and the Renewal of Life. vol. 8. New York - Oxford: Berghahn Books.
Vickers, M. (1997). Pericles on Stage: Political Comedy in Aristophanes’ Early Plays. Austin: University of Texas Press.
Διαμαντάκου, Κ. (2007). Η επιβίωση της παρ(ατραγ)ωδίας από την αρχαία στη νέα ελληνική δραματουργία. Στο Περί τραγωδίας και τρυγωδίας (σs. 437–552). Αθήνα: Παπαζήσης.
